But now it's long gone!
I was just going to touch upon some of the highlights of the last two or three months of the year.
I'm going to have to give up on that and just mention a couple of things here now, then start off 2016 with a new post about current things.
During 2015, my first full year of living in central Victoria I was very happy to become part of the Goldfields Printmakers group. More information about the group can be found here.
James Pasakos, from Federation University, Ballarat, attended IMPACT9 - the international biennial printmaking, held in 2015 in Hangzhou, China, from 18 to 21 September. There he presented a folio of prints by members of the group referencing the history of the Chinese prospectors in the region during the gold rush of the later 19th century.
For my research I visited Bendigo's Golden Dragon Museum and Chinese Garden. I was very impressed by the huge collection of artefacts, objects and installations. I could have stayed much longer than the time I'd allowed! I'll have to get back there.
I've always been attracted to ginger jars, so used one on each print, combined with
calligraphy on the first taken from the inner wall of the garden.
Well-known Beijing poet and calligrapher Ke Wen Hui arrived in Australia for a family visit in 1998. Upon viewing the Golden Dragon Museum he was impressed by the Chinese heritage in Bendigo, and composed several poems, painting them on the walls.
The given translation of the poem I used is:
'In deep thinking, visitors will go home with cranes nestled in their sleeves. Behold the beauty and prosperity of the Garden. Surrounded by the tranquility of this environment, you will only think reflective thoughts.'
The other image on the second print is a detail from an embroidered garment.
(Somewhat dodgy images, sorry.)
My last post was just before a small solo exhibition I had in October/November at 69 Smith Street gallery, a small artist-run gallery in Collingwood (an inner suburb of Melbourne). The gallery is a double-storey shopfront with multiple spaces. It's nice to exhibit there because there are always several other solo or group shows there at the same time and so you get quite a good audience. I had a small space upstairs and showed prints from four different bodies of work. The last year or so has been a time of trying to work out where I'm going.
|At the opening, with a couple of works from the series With these hands - self portrait.|
I have made quite a lot of work relating to knitting and other needlecrafts over the years.
The works in the image above continue that theme.
There were a couple of recent works from the ongoing series, A Taxonomy of (Art) Cats and new works messing about with still life elements and layering.
This one is more recent; getting a bit braver with colour!
I'll post some more images quite soon.