I bought a second hand etching press two or three months ago but it's taken me all this time to clear a space to set it up to work in. Finally there!! There's barely enough room here, but works for the time being.
I have been working away slowly this year with not a great deal to show - cutting lino plates for my artist's book for BAO Edition 4, A girl waiting. Now the press is up and running I've started printing them. These are some of the places the girl might be waiting. The girl and her reason for waiting to come.
I think I'm going to love having my own press!
Showing posts with label Book Art Obect. Show all posts
Showing posts with label Book Art Obect. Show all posts
Thursday, 28 February 2013
Thursday, 10 January 2013
First post for the year!
When I've left it so long between posts, it becomes more and more difficult to do so.... Will I start with all my excuses...? Not, this time. So, I'll just wish all my bloggy friends a happy, productive and fulfilling 2013.
Haven't made much progress on work to show you, although I have seen a few exhibitions about which I could have written. I enjoyed Elizabeth Banfield's solo exhibition at red gallery, and actually bought a print. Very happy to have it! Her work is very beautiful.
Also enjoyed BAZE at Handheld Gallery which has work by a number of you. The gallery reopens next Wednesday, so you could pop in if you are in Melbourne, and catch the end of this - a fabulous exhibition of zines and artist's books.
I should also mention the highlight of my recent exhibition viewing experiences. I'm not sure whether I've mentioned before that I work in Visitor Services at Heide Museum of Modern Art. I am so loving soaking up the fabulous Louise Bourgeois exhibitions - Late Works and Louise Bourgeois and Australian Artists - lots of fabric sculptures, fabric drawings, works on paper and the huge spider. Perhaps because I'm a printmaker and artist who loves working with text, my favourite work is a suite of prints called What is the shape of this problem? - nine diptychs, letterpress text panels paired with abstract lithographs, intense doodling/patterning (like I do when I'm on the phone). 'The telephone call from the slammer' is the panel that still makes me wobbly just to think about. The first time I stood in front of the work I got very wobbly indeed! It's intensely emotive, for me, and quite beautiful. Text fragments from 'The papillion, the ray of hope' and 'To unravel a torment you must begin somewhere' to 'The hour is devoted to revenge'...all very powerful and moving. The exhibitions are highly recommended!
And just so as this post is not all text here are a couple of proofs of prints for my BAO book, which is very much a work in progress. I am making a book titled A girl waiting. These are places that a girl might be waiting.... A tram stop in High Street, Northcote,
the waiting room at Tamworth Station.
The girl and her reasons for waiting are to come.
Haven't made much progress on work to show you, although I have seen a few exhibitions about which I could have written. I enjoyed Elizabeth Banfield's solo exhibition at red gallery, and actually bought a print. Very happy to have it! Her work is very beautiful.
Also enjoyed BAZE at Handheld Gallery which has work by a number of you. The gallery reopens next Wednesday, so you could pop in if you are in Melbourne, and catch the end of this - a fabulous exhibition of zines and artist's books.
I should also mention the highlight of my recent exhibition viewing experiences. I'm not sure whether I've mentioned before that I work in Visitor Services at Heide Museum of Modern Art. I am so loving soaking up the fabulous Louise Bourgeois exhibitions - Late Works and Louise Bourgeois and Australian Artists - lots of fabric sculptures, fabric drawings, works on paper and the huge spider. Perhaps because I'm a printmaker and artist who loves working with text, my favourite work is a suite of prints called What is the shape of this problem? - nine diptychs, letterpress text panels paired with abstract lithographs, intense doodling/patterning (like I do when I'm on the phone). 'The telephone call from the slammer' is the panel that still makes me wobbly just to think about. The first time I stood in front of the work I got very wobbly indeed! It's intensely emotive, for me, and quite beautiful. Text fragments from 'The papillion, the ray of hope' and 'To unravel a torment you must begin somewhere' to 'The hour is devoted to revenge'...all very powerful and moving. The exhibitions are highly recommended!
And just so as this post is not all text here are a couple of proofs of prints for my BAO book, which is very much a work in progress. I am making a book titled A girl waiting. These are places that a girl might be waiting.... A tram stop in High Street, Northcote,
the waiting room at Tamworth Station.
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| And outside Westgarth cinema, Northcote. |
The girl and her reasons for waiting are to come.
Thursday, 5 January 2012
Happy New Year!...and new book projects for 2012
Happy New Year to all! I hope that 2012 will be a happy and productive one. I've started the year very excited about being involved in Edition Four of Book Art Object. More than fifty artists have signed up to make an edition on ten books inspired by one of the 100 short story titles from Sarah Bodman's project- An Exercise for Kurt Johannessen.You can find information about it here. Artists have been allocated to groups of eight and each will take one of the titles to create an edition of artists book that will then be exchanged with other members of the group. The title I'll be working with is A girl waiting. No idea what I'm going to do yet, but it suggests lots of possiblities, I think.
I've had a couple of days off this week and so I've been able to make a start on an artist's book for the Linden postcard show. It's to be called Counting Crows...or Magpies, and is based on the counting rhyme...One for sorrow, two for joy. There are a number of variations... still have to decide which I'm going with. These are gelatin prints I've been making as a first layer. Hand-cut stamps of birds and text, as well as collaged elements to come. Here is a positive and the negative print of the same stencils.
Layering is always an experiment. Never really know whether it will work or ruin what you already have!
I've had a couple of days off this week and so I've been able to make a start on an artist's book for the Linden postcard show. It's to be called Counting Crows...or Magpies, and is based on the counting rhyme...One for sorrow, two for joy. There are a number of variations... still have to decide which I'm going with. These are gelatin prints I've been making as a first layer. Hand-cut stamps of birds and text, as well as collaged elements to come. Here is a positive and the negative print of the same stencils.
When making the gelatin plate
I lined the scone-tray with clingwrap so that the gelatin would be easy to remove and love the printed effect of the wrinkled surface.
I lined the scone-tray with clingwrap so that the gelatin would be easy to remove and love the printed effect of the wrinkled surface.
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Layering is always an experiment. Never really know whether it will work or ruin what you already have!
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